The portraits of the Obamas were unveiled on Wednesday.
Barack Obama has gray hair and is wearing a suit.
She is sitting on a couch from the Red Room in the portrait of the President.
Robert McCurdy painted President Barack Obama against a white background in order to establish a relationship with the viewer.
McCurdy's paintings feature his subjects against white background, an aesthetic that stands out among more traditional presidential portraits.
We are not here to tell the story of the person that is sitting for them because they have plain white background. In an interview with the White House Historical Association, Marguerite said that they were here to create an encounter between the viewer and the sitter. The viewer's emotional and historical package will be different for each one.
There are small details in the painting such as thewrinkle in obama's suit
Robert paints people in a way that makes them better or worse. At the White House ceremony, Obama said that he captured everywrinkle on your face and every crease in your shirt. He didn't want to hide my gray hair. I requested that my ears be made smaller. I was told not to wear a tan suit by the way.
If you look closely, you can see that the former president has gray hair.
While in office, presidents age quickly.
Sharon Sprung painted the first lady sitting down.
In an interview with the White House Historical Association, Sprung said that she doesn't need dignity. I decided to sit because she has a lot of dignity.
In the portrait, the woman is wearing a dress.
The designer was put on the map when she enlisted him to design her first gown. She became one of her go to designers and created her first gown.
She sat for her portrait in the Blue Room of the White House, not the Red Room.
The furniture was moved from the Red Room to the Blue Room due to the better light.
Sprung put light on the dress.
Sprung said that every little moment in a painting changed something. The whole thing changed when I put a light on the dress.
The Obamas are looking directly at the viewer.
In a video released by the Obama Foundation, the president of the White House Historical Association said that the eyes of the portraits were very personal.
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